Keywords:
neurology - epilepsy - art
Palavras-chave:
neurologia - epilepsia - arte
The Frenchman Gustave Flaubert, the Russian Fyodor Dostoevsky and the Brazilian Machado de Assis suffered from epilepsy and were affected by their neurological condition in different ways.
Gustave Flaubert (1821-1880) was the author of classic masterpieces in history such as Madame Bovary ([Figure 1]). In spite of his literary fame, Flaubert had epilepsy[1]. According to historical accounts, his first seizure occurred in 1844, stunning his parents[1],[2]. Epilepsy was a long way from been understood, so an epileptic crisis aroused all sorts of speculation and stigmatization from the people around him. Even his father, who was a doctor, was “beside himself ” and tried various therapeutic means to heal his son: “he tried unsuccessfully to bleed Gustave, he applied boiling water to Gustave's hand thus causing a painful second degree burn”[3]. He would try many different treatments during his life: quinine, bromides, plant infusions and drainages[2],[3].
Figure 1 Gustave Flaubert (1821-1880), the author of Madame Bovary.
His friend Maxime du Camp reported many of Flaubert's crises: “Very often, distraught and powerless to intervene, I would witness his seizures, which were indeed terrifying to see. […] Abruptly, without any reason, Gustave would raise his hand and become very pale; […] His eyes would be full of anxiety and he would hunch his shoulders in a distressing and discouraging movement. […] Then the convulsion would take him over”[3]. Flaubert also described the epileptic auras himself: “I have a flame in my eye; everything is tinged with gold”. Epilepsy became a part of his life, as did the suffering caused by it. His illness made him abandon his studies in law causing him to become increasingly isolated from people and society. He always felt embarrassed by his medical condition, and the prejudices toward the epileptic at that time were undeniable[2],[3]. So much so, that there is no description of his convulsions in his literary output and, when Flaubert spoke about his attacks, he called them “nerve sickness” or used other euphemisms. However, it is certain that his illness had influenced his identity as a writer and it reinforced Flaubert's literary inclinations: “I have an outlet […]. The paper is here and I am relieved”, wrote Flaubert, referring to his epilepsy[3].
Fyodor Dostoevsky (1821-1881), one of the most important Russian writers in history, also suffered from epilepsy ([Figure 2]). Dostoevsky was sentenced to four years of forced labor in a Siberian prison after being accused of distributing printed works directed against the government. However, one could say that epilepsy “saved” him – the author of The Idiot managed to convince the military, in which he was forced to serve indefinitely, that retaining an army officer with epilepsy (a mysterious disease) was extremely dangerous, and he was discharged of the army[4]. Another interesting and notable point of Dostoevsky's epilepsy was that he probably suffered from ecstatic aura, the existence of which was previously unknown. He often described sudden and unanticipated psychological states characterized by vivid memories and a pleasant sensation near ecstasy. These epileptic auras somehow justify his seminal idea that a moment of happiness is worth a lifetime[4],[5].
Figure 2 Fyodor Dostoevsky (1821-1881): author of the classic Crime and Punishment.
Unlike Flaubert, epilepsy was present in at least six of Dostoevsky's characters. In fact, epilepsy occupied a prominent position in his novels, in that the seizures were richly depicted and even helped in the construction of the personality of the characters[4],[5],[6]. In The Brothers Karamazov, for instance, a character with epilepsy simulates one of his crises in order to not be accused of a murder that he committed[6]. Dostoevsky incorporated his own suffering into his art and acknowledged the therapeutic effects that literature had on his health, although writing was repeatedly contraindicated by his doctors. Several times, Dostoevsky was skeptical about the prescribed treatment (bromides), although he had repeatedly sought the opinions of great neurologists, such as Moritz Romberg[4],[5],[6].
Machado de Assis (1839-1908) is considered the most famous Brazilian writer ([Figure 3]). His seizures began in infancy and accompanied him his whole life. He probably suffered from temporal lobe epilepsy with complex partial seizures that were secondarily generalized[7]. Like Flaubert, Machado de Assis never felt comfortable with his epilepsy and always tried to hide it. The word “epilepsy” or its derivatives only appeared in his literary texts in the first edition of The Posthumous Memoirs of Bras Cubas, after which the word was deleted in all the other editions[8]. Similarly, in 1872, Machado translated a booklet, by a French doctor, Hygiene for Schools and, curiously, he did not save the word “epilepsy” here either. At that time, the ideas of the Italian neuropsychiatrist Cesare Lombroso were on the rise and epilepsy was associated with moral degeneration, insanity and even a propensity for crime[9]. Machado's epilepsy is only discussed in his correspondence with his friend Mario de Alencar and even then, the author of Dom Casmurro often used the euphemism “original sin” to refer to his neurological condition: “I am getting along well, except for the usual difficulties of old age, and experiencing, without any change, the original sin”[8],[9]. Machado did not even share his neurological problem with his wife Carolina, who only discovered it when she witnessed a seizure a few months after the wedding[7],[9].
Figure 3 Machado de Assis (1839-1908): the most significant Brazilian writer
As in Flaubert's and Dostoevsky's cases, treatment was not able to control Machado's epilepsy so that, even though he consulted Dr. Miguel Couto, the most distinguished Brazilian physician at that time, he described himself as “a sick man without a doctor”[8],[9]. When Machado discovered that his contemporary, Flaubert, also suffered from epilepsy, he wrote: “I found the same solitude and sadness, and even the same evil, as you know, the other”[9]. In fact, epilepsy put Machado de Assis into a deep state of melancholy and solitude that some critics claim contributed to his artistic production[7],[8],[9].
Epilepsy had a deep impact on the life of Flaubert, Dostoevsky and Machado de Assis. They were epileptic at a time when there was great prejudice and disinformation about the disease. Their lives are excellent examples of how intimately entwined neurology can be to art and history, and provide important insight into patients with epilepsy.
